![]() ![]() Both these units have switchable bass roll-off but we’re a little disappointed that there’s still no phase switching. They are certainly impressive at this price point. The mic preamps have solid-sounding, low-noise circuitry with ample gain for most applications. Typically, the device using its internal clock will perform cleaner, while a Slave often has. If using the other device as Master, set the ADA8k to ADAT in, unless you are using word clock. If using the ADA8k as Master, set the other unit to External, ADAT, with a matching sample rate. Since the mic preamps and converters are identical, there is nothing to choose between the 610 and the 1616 in the sonic stakes. As the Master, you choose between 44.1 and 48k sample rates. Read honest and unbiased product reviews from our users. Both the 610 and the 1616 have Kensington security lock ports. Find helpful customer reviews and review ratings for BEHRINGER Audiophile 16 In/16 Out 24-Bit/96 KHz USB/Firewire Audio/Midi Interface with ADAT, Black (FCA1616) at. The 1616 streams a pretty impressive 16 inputs and outputs, and a further eight microphone inputs and eight outputs can be added by linking a Behringer ADA8000 via ADAT. It’s almost twice the width but you have the option of choosing to use it as a portable device or attaching the rackmount brackets for permanent installation. You Can Record the Entire Band: FCA1616 Check out this video which highlights how the FIREPOWER FCA1616 USB/Firewire interface can help you take your. This time the digital formats include S/PDIF (coaxial and optical), ADAT and S/MUX. Each input channel also has unbalanced inserts, so you can patch in compressors, equalizers, etc, to process the signals before they’re digitally converted and sent to the DAW. The 1616 is more or less identical to the 610 but the number of inputs is doubled to eight, with four mic amps on the front panel. ![]()
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